Colin Lorimer marries horror and biblical traditions in ‘Daisy’ • AIPT


Everything you know about angels is wrong.

If you thought they all looked like this loving mother with a golden harp, it turns out that they are more like the worst kind of supernatural horror. And a new title from Dark Horse Comics doubles that very gruesome reality.

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Daisy is the creation of writer-artist Colin Lorimer, also responsible for UXB and The hunt. In the book, Lorimer (alongside colourist Joana Lafuente and Letter Jim Campbell) tells the story of the main character, a giant teenager whose “health issues, everyday ridicule, and tailored clothing are just the thing. tip of the iceberg. . “Daisy’s story involves the story of a mother and her missing child, a small town that seems like more than it looks, and, uh, cannibalistic angels. It’s a disturbing combination of horror, mystery and mythology, a tale that will make you guess much more than just angels.

Ahead of Issue 1’s release on December 8, we spoke to Lorimer via email, where we spoke about his work as both a writer and artist, biblical influences, his thoughts on horror, and the mystery, and much more.

Courtesy of Dark Horse Comics.

AIPT: What’s the elevator pitch for Daisy?

Colin Lorimer: Real detective meets Carrie channeled through the eyes of William Blake.

Lindsay Taylor is an ex-cop looking for her missing son. An unexpected trail brings her to the town of Brimount where she meets a teenage girl named Daisy who is almost nine feet tall and who is convinced she is descended from giant cannibals from the outcasts of paradise.

As the story unfolds, Lindsay is drawn into a world that Hieronymus Bosch himself would struggle to portray.

Daisy is very loosely based on The Book of Enoch, a book torn from the pages of the Bible in the 4th century. It tells the story of two hundred watchful angels who transgressed God by taking human wives and how their children due to the union of their parents were cursed to become tortured, mad and bloodthirsty giants known as of Nephilim. God, disappointed, sent a flood saving only Noah to start mankind again.

But what if one of the immortal Watching Angels lived among us today? What if this contaminated line also survived and held a secret that could shake the meaning of creation right down to its heart? Perhaps the Book of Enoch had been withdrawn because it contained truths the church desperately wanted to keep hidden.

It’s hard to imagine that the fate of the world could rest very well on the shoulders of a gangly and awkward teenage giant named Daisy.

AIPT: Is it harder or easier, even more difficult and / or rewarding, to balance the work of a writer and an illustrator?

CL: It’s pretty balanced. If I find myself struggling while writing a scene, I’ll pick up the pencil and start doodling until cool visuals lead me to an advanced narrative. I enjoy both equally. I am also lucky to have the excellent Joana Lafuente on colors which adds so much to the visuals of the books. Such a gifted artist with a very unique eye. Jim Campbell handles the letters and, like Joana, just takes the book to another level! Based purely on art… you will really enjoy yourself!

AIPT: What was your interest in playing with Christian traditions and mythology? Are there controversies or difficulties in appropriating certain stories, images, etc.?

CL: Let’s be honest… If you are looking for a good horror book, look no further than the Bible as you will have a great time browsing stories of murder, plague, sacrifice, torture, a multitude of gruesome massacres and a extinction – planetary catastrophe level… and that’s only the Old Testament.

Growing up in the north of Ireland, religion shaped my formative years. Each Sunday in Bible class, these stories captivated me completely and remained etched forever in my young mind.

My intention is not to make fun of someone’s faith… I really ask questions, some of which I still struggle with myself.

AIPT: Based on this last question, why the interest in the Nephilim in particular? Is there something about these numbers that stood out for you?

CL: The idea of ​​children cursed by God and destined to become crazy, monstrous, cannibalistic giants had pretty much sold me. But their story is also incredibly sad; children condemned from conception for the sins of their parents. It’s hard ! Their card is marked from day one. No warrant. No forgiveness. I felt it was worth exploring. How would it affect you if you were screwed from day one with no path to redemption. Also, the guilt that must weigh on the parents, this helplessness that one would feel not being able to protect his children. I mean, how can you fix something that’s predestinated, set in stone – in fact, written in your very DNA?

And what kind of God would think this punishment was justified anyway?

Colin Lorimer marries horror and biblical traditions in 'Daisy'

A special promotional image. Courtesy of Colin Lorimer.

AIPT: Reading number 1 I kept thinking about what the whole thing looks like and almost feels like a story of violence with a hint of Twin Peaks. Did you have any specific inspirations / influences in the design and “vibes” of the book?

CL: It’s a good catch! I like it. It’s not as surreal or quirky as Twin Peaks, but it sure has a similar weirdness. I drew inspiration from many sources; the writings of John Dee, Aleister Crowley, Thomas Merton, an influence of Renaissance painters, and the works of Blake, Bacon and Dore to name a few. Dee was actually the main spark for the book as I have been reading about him for years and the idea that he believed he was communicating with angels and creating his own angelic language was just fascinating and so with Daisy I have finally found a way to incorporate this divine language into a story.

AIPT: I love Daisy’s presence and how she really is larger than life (especially since she is around 8ft tall). Without too much spoiler, how do you see her role in the story, and do you think people are going to come together or fear her instead?

CL: Thank you. It’s nice to hear. Everyone who read the first issue responded very well. She’s a complex character, wise beyond her years and it’s obvious that even since this first issue, she’s in serious conflict with her current situation. His journey is tough and as we progress through the series his strength of character will be tested time and time again. Is she afraid? Absoutely. Exactly why and by whom is the bigger question.

AIPT: There’s a lot of horror, but this story also spices things up with some really good mystery elements. What about the horror that speaks to you, and do you think that maybe it is a supernatural crime story of sorts?

CL: No matter what I write, it always ends up taking a dark turn. I love horror. A Supernatural Crime Story isn’t something I intended to write, but as I put all the pieces together and developed Lindsay, the ex-cop and mother of the missing child, this became more evident as it continued to take shape.

Colin Lorimer marries horror and biblical traditions in 'Daisy'

A preview image in issue 1. Courtesy of Dark Horse Comics.

For me, the mystery element of Daisy would lie in the many age-old questions we all have around religion, much of which is usually left unanswered, sidetracked, or completely avoided if questioning becomes a little too difficult. And I feel that the real horror for most of us comes from this feeling of ignorance. Will we be greeted by endless darkness, complete nothingness, fire and brimstone, or perhaps Saint Peter with pearly doors.

Well … if you get to the end of Daisy you may find that there is another option.

AIPT: During COVID, I think we all faced helplessness and grief, and that translated into stories of death and the end of times. Without being specifically a COVID book, do you think Daisy connects to any of those same feelings and feelings?

CL: The book was started before the pandemic and completed during it, so the fear, isolation, and general tone that already existed in the book was certainly heightened. It will be obvious to anyone who takes the first issue of Daisy that it deals with some very dark topics, but there is also a lot of light that is generated by the actions of certain characters. I fear that the reader will have to travel with me to find out if I have succumbed to the external pressure of the outside world and have gone “completely black” with the script or if I have tied more positive threads for me. ‘help to stay sane. Take a look at Goya’s painting “Saturn devouring his son”, it may give you a little insight!

AIPT: Again, without too much spoiler, what can we expect from numbers 2 through 5?

CL: As it progresses, the story recedes in many unexpected directions and it truly delivers the slogan of Heaven and Hell… but not in the way one might have thought it would. At the end of the day, the reader may feel like they’ve been hanging around their ears, but hey, you never know… they may also have been rewarded with some form of enlightenment!

AIPT: Why should someone take care of problem 1?

CL: There is the same horror and dread found in the Bible, but you’ll find it’s a much shorter read … accompanied by a lot more visuals.

Hope you will join us!

Colin Lorimer marries horror and biblical traditions in 'Daisy'

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